1Jan

Sabon Next Font

1 Jan 2000admin

Copyright 2002 - 2010 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Sabon is a trademark of Linotype Corp. Registered in the U.S.

Buku Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. Or its licensee Linotype GmbH.

Buy Sabon Next font from Linotype on Fonts.com. Sabon Next is available as a desktop font and a Web font. Sabon® Font Family - Fonts.com The Sabon font was created by the well-known typographer Jan Tschichold over a three year period. Sabon Next is a serif font. It goes well with Avant Garde Gothic ITC and Avenir. If you're thinking about using Sabon Next then try Give 22px a shot for content.

This typeface is original artwork of Jean Franois Porchez. The design may be protected in certain jurisdictions. NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software.

Sabon

If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418.

“In the early 1960s, the German masterprinters’ association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines [as well as for hand composition] so that text and technical composition would match. Walter Cunz at Stempel responded by commissioning Jan Tschichold to design the most faithful version of Claude Garamond’s serene and classical roman yet to be cut. The boldface and particularly the italic are limited by the twin requirements of Linotype and Monotype hot metal machines.” — In addition to the digital Sabon and Bitstream’s Classical Garamond.